| DRAMA
Home (full orchestra:
heartfelt, sentimental)
Mezuzah, Main
Title (small ensemble: klezmer/classical)
Lament/A
Call To Arms (full orchestra: lament/action/triumph)
Rounding Home, Main Title (small ensemble: rural)
Wes' Death (ambient sound design + glassy violin)
Walk 'n Talk (guitar, violin: light & outdoorsy)
Sarah Recalls (reflective, spacious, piano and strings)
Letting Go (sound design + strings)
Bike Ride (gtr, vln, perc: energetic)
~ additional drama samples
COMEDY: QUIRKY/DARK
Evil Space-Villain Must Be Stopped! (full orchestra: cartoon)
ASCAP
Steve Kaplan Award
Visiting the Vet (clownlike waltz, moderately dark)
Outta Here! (dark, orchestral)
Howdy, Rabbi! (Morricone
meets Moishe: He’Brew Beer ad)
Uncomfortably Drugged (reserved quirk becomes pyschedelic)
Meeting Bill (spacey, quirky, playful)
Amelia at the Door (small ensemble: a bit disjointed/stuttering)
COMEDY: ROMANTIC/LIGHT
BILL: Main Title (small ensemble, intimate, optimistic)
Apartment Hunting (upbeat, optimistic)
Don't Ever Stop Playing (quirky, lyrical, orch + eastern perc)
Love Is Funny (romance followed by comedy)
Creeps (plucked strings, woodwinds: oom-pah funny stuff)
Americana/Sproing! (pastoral, then comedic)
Woody’s Joke (small ensemble: klezmer)
First Bike Ride (orchestra: light, optimistic, energetic)
ACTION/ADVENTURE
The Warrior (sound design/orchestra: thematic, dark, heroic)
Evil Space-Villain Must Be Stopped! (full orchestra: cartoon)
ASCAP
Steve Kaplan Award
Lament/A
Call To Arms (full orchestra: lament/action/triumph
Fightin' Comic Book Chick (orchestra, sound design, loops)
Lethal Love/Ugly Nun (avant-garde jazz meets comedic horror)
Paintball! (small ensemble: upbeat jazz bolero)
Defending
the Battle Station (full orchestra: bad guys attack)
EPIC
Lament/A
Call To Arms (full orchestra: lament/action/triumph)
A Hero Rises (full
orchestra: hero's journey)
SUSPENSE
Death's
Door (full orchestra: horror)
When Your Brother's A Demon . . . (campy horror)
Main Theme from Shadow Puppets of Doom (orchestral)
Vealfont on the Menu (orchestral: horror)
Streets of Seattle: Protest (small ensemble: tango influence)
Betrayal (orchestral, strings: gradually intensifying throughout)
AMBIENT/ELECTRONIC
Wes' Death (ambient sound design + glassy violin)
Disoriented, Disconnected (sound design + strings)
Letting Go (sound design + strings)
Not So Nice (strings/pno, atmospheric, ethereal)
Revolving Dates (ambient + oboe, piz strings, vibes)
Technology At Work (beat-based, sound designy)
Ambient Optimist (slower, dreamlike)
Overconsumption (bright, percussive)
ETHNIC INFLUENCE
Afro-Pop: Akwasi's
Theme, Fretless
Bass Feature
American: Made In America
Argentine Tango: Protest,
Anarchy
Blues: Coffee Shop, Mornin' After Blues
Cambodian: Fresno,
Chills, Festival
Klezmer/Jewish: Mezuzah, Woody’s Joke
Louisiana/Cajun: Rollicking,
Legacy
Salsa: Salsa Woman
Tex-mex: Borders, Strollin'
POP/OTHER INFLUENCE
Free Jazz/Comic Horror: Lethal Love/Ugly Nun
Lounge Cheese/Horror: Louella's Love Goes Bad
Classic Rock: Men Were Men (Organ Feature)
Funk/Soul: Funky
Lullaby
Blues/Rock: Made in America
House/Salsa: Dancin'
World/Hip-Hop: Mission:
Recycle
Reggae: Akwasi's Reggae
music from documentaries
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